The union of the Indestructible Objet (1923-1959) by Man Ray and L'Infiltration homogenee for grand piano by Joseph Beuys (1966). Here the intersection of two temporalities is at stake: one punctuated by the pulsations of the metronome, the other marked by the continuous silence of Beuys’ piano.
Music
![[W I N G S O F L O V E]](https://image.tmdb.org/t/p/w500/zGVzZDReN3wIotXJMJr4EPq7CDq.jpg)
NextFilm 2025
